Thank for the validation of some of my proposals :)
>> BEAT REPEATS >> >> This repeat symbols are described by Elaine Gould (cf. Behind Bars >> p. 230). Like the tremolo E260~E264, other durations might be added. >> >> Another solution might be to used several slash E121 (maybe that's >> your intent). >> >> - Repeat Last 8th Group >> - Repeat Last 16th Group >> - Repeat Last 32th Group > > SMuFL really only encodes multiple tremolo slashes as individual glyphs > because (a) that's how the Unicode Musical Symbols range was set up and > (b) I believe Finale's fonts include them as separate glyphs (not that it > is a requirement for SMuFL to be a superset of all other extant music > fonts, of course). > > My inclination would be for this to be achieved by applications laying out > multiple instances of U+E121, rather than requiring new glyphs for this, > particularly since you could theoretically repeat the last 1024th group, > which would require eight slashes, and eight glyphs in total. Ok that's fine to me. > >> GUITAR >> >> - Brush up and brush down : this strumming symbols for guitar are >> described by Elaine Gould (cf. Behind Bars p.379). Moreover, brush >> arrowheads similar to EA8B~EA8C might be added in order to be >> composed with line primitives. > > I don't know whether SMuFL in general should contain lots of arrowhead > types. Would the arrowheads encoded for the tops and bottoms of > arpeggiando lines be suitable? Yes as far as the arrow is alone, without wave, in order to be composed either with a brush line or an arpeggio wave. >> - Open pedal, close pedal and half open pedal : this symbols are >> similar to E865~E867 and are often used for the wah pedal or volume > pedal. > > and: > >> - Stopped and open drums : idem > > Are other appearances used for these symbols? If not, I would not propose > encoding them separately, since it's not necessarily the job of SMuFL to > encode every possible playing technique for every possible instrument, but > rather to provide the unique glyphs required to notate them, reusing > existing glyphs if that is desirable. You're probably right about this but in a way it seems strange to find a shared symbols under a category referring to a precise technique. What if a font designer create a glyph to reflect a specificity of an instrument at the expense of others instruments. For example, even if the "pedal open / close" are generally symbolized by the same forms as those from the percussion playing techniques, we (at Arobas Music) want to draw, as an alternative, a symbolic pedal sideways. For this, we can use the private area. If that's your idea of doing things with smufl, then I think maybe the shared symbols should have their own category (like the noteheads) or a warning about not changing their shapes. > >> - Fade in, fade out and volume swell : it's a kind of crescendo >> technique using the volume knobs of electric guitars (http:// >> youtu.be/X9Wpzy590d8). The "fade out" is just a "fade in" mirrored. > > Are these symbols ideally of variable length like a hairpin? If so, then > they are more like "exponential hairpins", which are regular hairpins with > flared ends like those shown in your fading graphic, and ideally it seems > these should be implemented using primitives rather than glyphs of a fixed > size. This symbol seems controversial. Let's put it apart for now. > >> PERCUSSION PLAYING TECHNIQUE PICTOGRAMS >> >> - Choked cymbal : this is defined by Norman Weinberg p.22 in the >> "Guide to standardized drum set notation". > > Would U+E50A be an acceptable glyph for this use? The shape is good but the category might not be ;) > >> BEATERS PICTOGRAMS >> >> - Hard mallet, soft mallet and medium mallet : this is defined by >> Norman Weinberg defined p.26 in the "Guide to standardized drumset > notation". > > These are already all included in the 'Beaters pictograms' range. Ok then can you precise me the code point ? Should I use the xylophone beaters ? >> PS : The text for the code E865 seems wrong and should be Closed / >> rim shot instead of Open / rim shot. > > Yes, thank you. This has been fixed in the documentation already and will > be correct in the next revision. Musically, Ahmed Tahar Functional Analyst // Arobas Music http://www.guitar-pro.com http://www.mysongbook.com ############################################################# This message is sent to you because you are subscribed to the mailing list <[hidden email]>. To unsubscribe, E-mail to: <[hidden email]> To switch to the DIGEST mode, E-mail to <[hidden email]> To switch to the INDEX mode, E-mail to <[hidden email]> Send administrative queries to <[hidden email]> |
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