Urs wrote:
> That's what the book tries to establish to some extent. But I can't tell
> you for all cases what has already become standard practice. What is a
> point _for_ this book is that its author has been "socialized" with
> "new" vocal music in it initial years when composers like Lachenmann,
> Ligeti, Schnebel etc. explored new worlds of expression and notation. I
> think much of that time has by now been established as common practice.
Unfortunately the British Library doesn't have a copy of this book, and it
would be quite expensive for me to buy a copy here in the UK.
Do you or anybody else in the community have a copy and would be willing
to summarise the notations included within it?
Daniel
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