[smufl-discuss] Re: Missing composites in articulations range

[Robert Piéchaud]

To me, tenuto-marcato is quite common (Bartok, Debussy etc.), and I also was surprised not to find it in SMuFL.

For what it is worth, I did include it November2 (see doc. p.75 http://www.klemm-music.de/notation/november2/en/presentation/November_2.0_Presentation_Engl.pdf)
(as well as less common marcato-tenuto, marcato-staccatissimo, marcato-tenuto-staccato, etc.)

Robert

> On 12 Feb 2015, at 13:44, Knut Nergaard <[hidden email]> wrote:
>
> Thanks, Daniel!
>
> I know this particular combination is not included in Finale by default, but given the comprehensive collection of glyphs in SMuFL, it seems appropriate to include.
>
> Anyway, thanks again for your response!
>
> Knut Nergaard
>
> 12. feb. 2015 kl. 13:27 skrev Daniel Spreadbury <[hidden email]>:
>
>> Knut wrote:
>>
>>> There is, however, one
>>> particular combination that I'll like to see included for the sake of
>>> comprehensiveness (especially since both the tenuto-accent and
>>> marcato-staccato combinations are included already), namely the
>>> tenuto-marcato combination. This combination is not exactly commonplace,
>> but
>>> it's used quite extensively by Debussy a.o.
>>
>> The combinations in the 'Articulations' range are inspired by the
>> combinations that were included in the Unicode Musical Symbols range
>> (marcato-staccato, U+1D180; accent-staccato, U+1D181; tenuto-staccato,
>> U+1D182).
>>
>> I will make a note of your suggestion to include two extra glyphs for
>> tenuto-marcato above and below. I agree that it's not a common-place
>> articulation; it is not even included as a default in Finale's
>> Articulation tool. It's possible to achieve in Sibelius easily since all
>> articulation combinations are produced simply by adding multiple
>> individual articulations to the same note.
>>
>> Daniel
>>
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