Le 22 juil. 2013 à 14:01, "David Webber" <
[hidden email]> a écrit :
> From: Ahmed Tahar
>
>> Hello David,
>> Taking a look to the note name noteheads, it appears that you gave wrong names to some notes. In French the note names are : Do, Ré, Mi, Fa, Sol, La, Si. I don't know if there's is a reason the Sol became a So and the Si a Ti.<
>
> Not sure if this is a reply to me - I may have written something about chord names in French where A7 becomes La7, as the font has to be able to cope with this. But if so, I can't find it for the moment.
>
> If I didn't get the exact French names right then désolé! Excusez moi s'il vous plait! But my point was supposed to be generic to all latin-based languges where fixed sol-fa names are used for notes and chord names (with slight variations in spelling?). [I have them programmed into Mozart's language modules for French Italian and Spanish - but I didn't dig them out.]
>
> German does indeed have different note names for altered notes (like As and Ais for Ab and A#) but apart from H for B and B for Bb I don't think this is a problem because Ab7 is (i believe) the normal way to write that chord in German. However other alphabetic characters do appear like Hv for Bdim.
For now, H# is missing.
> My point (and I can't find whether I made it or not, but probably did) was that for a font embracing international chord names you need essentially the whole alphabet (upper and lower case). But I think Daniel has that on board.
I don't know the note names for each languages. The japanese, byzantine and indian names seems to be different though. So maybe to so extent you're right.
Musically,
Ahmed Tahar
Functional Analyst // Arobas Music
http://www.guitar-pro.comhttp://www.mysongbook.com#############################################################
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